The Music of Elizabeth Alexander

To Make a Prairie

An ethereal setting of Emily Dickinson’s timeless meditation on creation

Music: Elizabeth Alexander

Words: Emily Dickinson

An introspective setting of Emily Dickinson’s timeless poem about creation. With ethereal vocal lines and a dreamlike piano part, To Make a Prairie invites the listener into a place of mystery and quiet awe.

Details and Ordering Information

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Composer Notes

Composer Notes

Emily Dickinson’s deceptively simple poem holds up three essential ingredients of creation: clover, bee, and revery. The clover is the raw material, the bee is its faithful courier, and the revery is…um…what exactly?

Revery is a luscious, old-fashioned word suggesting dreaming, imagination, and wonder. But when I first encountered this poem, I mistook it for an archaic form of “reverence,” which felt surprisingly apt. Meanwhile, my husband read the word as “revelry” – and I had to admit that celebration is pretty crucial, too!

Revery, reverence, or revelry? However it lands for you, Dickinson reminds us that creation is not about the mechanics. It springs from a mysterious, ineffable spark we can only imagine.

Text

To Make a Prairie

To make a prairie it takes a clover and one bee —
One clover, and a bee,
And revery.
The revery alone will do,
If bees are few.

Emily Dickinson

Performers

Performers

Premiere: Women-in-Music Chorale / Christine Strohl (Columbus, OH)
Anima Singers / Emily Ellsworth (Glen Ellyn, IL)
Carolyn Slenska, Betsy Yarrison and Mimi Stevens (Alexandria, VA)
Celestia, of The Concord Singers / Michael Sanflippo (Summit, NJ)
Fine Arts Chorale of Kansas City / Terri Teal (Kansas City and Prairie Village, MO)
Good Company! / Steven Hoifeldt (Ames, IA)
Rutgers University Queen’s Chorale / Steven A. Russell (New Brunswick, NJ)