The Music of Elizabeth Alexander

Reasons for the Perpetuation of Slavery

A clear-eyed compelling look at human slavery through the ages, including the present time

Words by Elizabeth Alexander

A fierce and urgent look at the pervasive institution of human slavery in all times, including our own. This dramatic work spins out the temptations and rationalizations that serve to justify every level of this grim supply chain, from “owners and bosses” to “eager consumers.” An unforgettable concert experience, and a rare opportunity for a choir to engage with a challenging social issue.

Note: The first movement, The Sheer Possibility in the First Place may be performed separately as a standalone piece.

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Composer Notes

Composer Notes

My interest in slavery as an economic and cultural institution began with my desire to understand a dark chapter in United States history, but inevitably it led far beyond that. As this piece unfolds, its images and musical references make their way more and more into our own time, touching on our own passive participation in an economic system which is inherently dependent on human exploitation. Just as slavery is both ubiquitous and hidden, tucked into the corners of this piece you’ll find echoes of music from many different times and places, including our own.

When I wrote Reasons for the Perpetuation of Slavery in 2010, choir directors were not at all sure what to think of it; in fact, it was commissioned by a sizeable consortium of women’s choirs but only one of those choirs performed it. In response to complaints about the song’s duration, I divided it into three movements and wrote an alternate ending allowing the first movement to be performed separately. But as it turned out, the song’s duration was not the true issue. A song that touched on our own complicity with modern slavery was simply a hard sell.

Things have changed quite a bit since 2010! Every year an increasing number of ensembles perform Reasons for the Perpetuation of Slavery, often at concerts and events directly addressing the causes and consequences of human exploitation. Both society and the arts have grown more willing to look at the reality of how modern slavery exists today in a new guise. In addition, more and more choral musicians are eager to use their voices in a new way, inviting our modern-day world right up on stage, in all its beauty, tragedy and complexity.

Text

Reasons for the Perpetuation of Slavery

I. The Sheer Possibility in the First Place

The sheer possibility in the first place.
Unstoppable wanting. Wanting the unstoppable.
The need for cultivation. The cultivation of need.
Hard choices. Easy outs.
High hopes. Slippery slopes.

The allure of order. The desire to acquire.
Classes of people. People of class.
The gain of capital. Capital gains.
The persistent perception of greener grass.

The justification of pride.
The pride of ownership.
The ownership of justice.

The tidiness of titles. The convenience of caste.
Distributions of wealth. A wealth of distributions.

The price of cotton. The price of rice.
The price of sugar. The price of gold.
The price of oranges. The price of tomatoes.
The price of keeping the prices low.

The price of beauty. The price of toys.
The price of plenty. The price of more.
The price of a hit. The price of a life.
The price of liberty. The price of anything.

The desire for a fix. The fixation on race.
The race towards civilization. The civilization of desire.

Chains of command. The commands of corruption.
The corruption of language. The language of chains.

Classification, misinformation,
Globalization, collaboration,
Accumulation, calculation,
Rationalizations.

______

II. The Existence of Endless Prepositional Possibilities

The existence of endless prepositional possibilities:

As a short-term solution, in the interest of progress,
’Til my head’s above the water, ’til my feet are on the ground,
For the good of the nation, for the company, for my family,
Despite a few misgivings at the present time,
Behind closed doors, by hook or crook,
Beyond our borders, as a very last resort,
Between you and me, beyond my control,
On the cheap, on the sly, with my back against the wall,
Out of sight, out of mind, out of my hands,
Under the radar, under the gun, under the table, around the law,
In for a penny, in for a pound, in for a lifetime —
Just this once.

______

III. An Unexamined Life

Longings for chocolate, palaces, pyramids,
Flowers in the winter, rubber and rum.
What people will do for a little black dress,
A hand with the children, a carpet, a kiss,
An immaculate house, an unexamined life.

The price of cotton. The price of rice.
The price of sugar. The price of gold,
The price of oranges. The price of tomatoes.
The price of keeping the prices low.

Looms of fingers. Fields of hands.
Chests of organs. Pounds of flesh.
Platters of thighs. Legions of legs.
Rivers of blood. Heavings of hearts.
Batteries of arms and backs and shoulders.

Business, pleasure, labor, leisure,
Backers, buyers, brokers, liars,
Winners, losers, dealers, users,
Borrowers, lenders, traders, vendors,
Profits, losses, owners, bosses.

People of means. The means to an end.
Unheeded rumors. Eager consumers.

Elizabeth Alexander
© 2010 by Elizabeth Alexander

Performers

Performers

Reasons for the Perpetuation of Slavery (complete work)
Premiere: Cantala Women’s Chorus of Lawrence University / Phillip Swan (Appleton, WI)
Amasong / Jill Crandall (Champaign, IL)
Bella Voce Singers / Jessica Corbin (Brooklyn, NY)
Calliope / Richard Carrick (St. Paul and Minneapolis, MN)
Cantus Femina of Western Michigan University’s Women’s Chorus / Dee Gauthier (Kalamazoo, MI)
Center Hill High School Select Chorus / Catherine Feazell. ACDA Southern Division Conference (Jackson, MS)
Distinguished Concerts International New York (DCI-NY), Hilary Apfelstadt (New York City, NY)
Gettysburg College Women’s Choir / Robert Natter (Gettysburg, PA)
Miami University Choraliers / William Bausano (Oxford, OH)
MUSE: Cincinnati’s Women’s Choir / Rhonda Juliano (Cincinnati, OH; Newport, KY)
North Carolina Governor’s School East Chorus / Laura Sam (Raleigh, NC)
Traverse City High School Vocal Majority / Wendee Wolf-Schlarf. Michigan School Vocal Music Association Festival (Walled Lake, MI)
University of Illinois Women’s Glee Club / Andrea Solya (Champaign, IL)
Vox Grata / Susan Kelly (Nashville, TN)

Movement I: The Sheer Possibility in the First Place
Premiere: Michigan SSAA All-State High School Honors Choir / Wendee Wolf-Schlarf (Kalamazoo, MI)
Cy-Fair High School Women’s Choir / Jed Ragsdale (Cypress, TX)
Encore! Women’s Choir / Patti Milford (Wichita Falls, TX)
Michigan Women’s Honors Choir / Wendee Wolf-Schlarf. Michigan School Vocal Music Association Festival (Grand Rapids, MI)
MUSE: Cincinnati’s Women’s Choir / Rhonda Juliano (Cincinnati, OH)
MUSE: Cincinnati’s Women’s Choir / Rhonda Juliano. GALA Choruses Festival 2016 (Denver, CO)
Santiago High School Treble Ensemble / Karen Garrett (Corona, CA)
Voca Lyrica / Virginia Kerwin (Big Rapids, MI)
Vocalpoint / Jennifer Anderson (St. Paul, MN)